Eduardo Loureiro

pt/en

In Convenience (2026)

You probably use food delivery apps like Deliveroo, Just Eat or Uber Eats. Some people use them every day, but the labour behind the convenience of this service is often taken for granted.

Are customers aware of the working conditions of delivery riders?

I interviewed ten delivery riders in London. We talked about their work routine, challenges of being a migrant, flexible work, unpaid labour. Inconveniences and advantages of this line of work. The kind of information that’s erased from the branded experience of digital platforms (Grant, Vodeb, 2023, p. 49).

Alternating phrases. I can’t blame him for  wanting to  go fast; He had finished his masters in HR; He worked every day from 7am to 11pm; Was I  disturbing his unpaid break?; He did delivery as a ſide job; Of course I'm looking for another job; It's hard for the illegals; Riders who do a poor job should be payed less; He thought I was looking for work; I couldn't understand him.
Interview highlights screen-printed to kraft paper bags.

Every rider I talked to was a migrant. In the context of machine learning “supposedly decolonized territories are […] reorganized as zones of extraction where workers’ rights cannot develop” (Bruder, 2021, p. 287). Similarly, the precarity of platform capitalism in developed countries seems to affect people from these same territories.

Ten kraft paper bags with phrases printed on them and receipts stapled to them on top of a canteen table.
Each interview is printed on receipt paper and stapled to a kraft paper bag.

“People don’t know what it’s like working as a delivery rider”, said one of the workers. How would app users engage with stories about delivery riders in a public space, intervening in the “semiotics of the city” (Eichhorn, 2016, pp. 82) as opposed to the digital environment of delivery apps?

Two receipts. The one on the left reads: I bumped into him when I was coming back from Sainsbury’s. He was standing next to his electric bike, so I thought I’d ask about his work. Turns out he was also from Brazil. He worked every day, including weekends, from 7am to 11pm, with a lunch break when he also recharged his bike. That’s almost 3x as much as a traditional work week. I had so many questions. How did he manage working that much? Why did he come to London? Was he earning as much as he hoped for? How much did he had to pay the owner of the Deliveroo account? How long would he keep it up? Was it worth it? Did he have a choice? Colas Mews, NW6 4LL 19/05/2025, 15:03:21. And this last section repeats on both receipts. “In Convenience” gathers interactions with food delivery riders in London and presents them back to users outside the branded environment of the app. Scan the QR code to find out more about the project: Instagram: @in.conve.nience. Thank you for reading! The one on the right reads: I’d heard this small square next to Waterloo station was a meeting point for Brazilian delivery riders, but there was only one rider there, who didn’t look Brazilian. I showed him my zine prototype. A rider would record one of their working days, specially how much they earned, and I would make a zine to be sold for 10% of what they made that day, like a tip. The profit would go to the rider and to a union to sponsor new members. I told him I was doing an MA in Graphic Design. He mentioned he had finished his Master’s in HR the previous year and was looking for a job, but it was hard to find a company whiling to sponsor him. “People don’t know what it’s like working as delivery rider”, he said. He seemed to like my project, so I got his number. I messaged him a few times, but he didn’t reply. I thought it was a good idea, easy for him, he would just have to send me screenshots of his orders that day. I wonder now if it would be just a hassle with no guaranteed return. Maybe he was just being nice. Emma Cons Gardens, SE1 8LN 04/10/2025, 17:15:09 Close-up picture of the installation.
Early iteration shows less information on the receipt and no information on the bags.

Choosing the exhibition format was influenced by what Ludovico calls the “persistence of […] physical presence” (Ludovico, 2025, p. 67). The installation displays ten stories based on the interviews, each one printed on receipt paper and stapled to a food delivery bag, both materials familiar to the delivery experience (Weber, 2025). QR codes provide opportunities to see other iterations of the project and further audience engagement on Instagram . The setting is a public space related to food, like a canteen, a market, a park. This is also a way to increase the chance of food delivery riders themselves engaging with the project.

Close-up photo of a poster on wall outside a pub. The windows have graffiti.
The street poster featuring one of the interviews was an early iteration. Della Torre (2023) used this medium to spread stories of participants on the streets. Receipt paper stapled to silk-screened kraft paper.

Some interviews were quick interactions, others were longer conversations, as in-depth as my interrupting them during working-hours allowed. Without realising, I was being inconvenient, interrupting their breaks, disturbing the rare opportunities they have to rest.

Photo of a bed with two very long receipt prints on each side. The word work is repeated on both receipts.
Early iteration showing a traditional 40-hour work week (left) and the work week of one of the riders I interviewed. Receipt paper.

Reference list